The Soundscape: Our Sonic Environment & the Tuning of the World by R. Murray Schafer

The Soundscape: Our Sonic Environment & the Tuning of the World



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The Soundscape: Our Sonic Environment & the Tuning of the World R. Murray Schafer ebook
Publisher: Inner Traditions/Bear & Company
Format: pdf
ISBN: 9780892814558
Page: 320


In analyzing the presence of various sounds Schafer labels this sonic experience as “schizophonia,” the separation of sound from sound source, realized in different points in time (Shafer, 1997). Recording practice extends the concept of .. In soundscapes of urban environments that begin to recognize individual cities by their sounds and smells, p 21. An unusual sensory experience that will raise your consciousness of the soundscape to a level of sensitivity you never experienced before. Murray Schafer explicitly took issue with Schaeffer's positions in his book The Tuning of the World (although it's been a while since I read it, and I don't own a copy to verify). Murray Schafer proposed the term “soundscape” to encompass and account for the complete aural experience within an environment. As a Young Composer in the late 70s seeking a stronger connection between practitioners art, my own life and the phenomena around us, I was driven to working with tape recorders and the environment of sound. How do you explain your interest in the sonic environment at that time? Murray Schafer at Simon Fraser University during the late 1960s and early 1970s. It grew out of Schafer's initial attempt to draw attention to the sonic environment through a course in noise pollution, as well as from his personal distaste for the more raucous aspects of Vancouver's rapidly changing soundscape. Guggenheim headset serving double Yet lest I be labeled as a Schaferian in my initial distaste for the Guggenheim's homogenous din, it is worth considering the peculiarities of the soundscape on the rotunda a bit further. ĸ�過真正的音景書寫的聖經，無庸置疑是1977年由加拿大作曲家R. Murray Schaeffer's book The Tuning Of the World when I set forth in 1978 to go to the origin of his research, The World Soundscape Project, outside of Vancouver, there to attend classes at Simon Fraser University's Sonic Research Studio. The only relief comes with stepping into the relatively soundlocked exhibition rooms at various points along ramp, their quietude only making the sonic swirl of the void that much more apparent upon re-entry. The World Soundscape Project (WSP) was established as an educational and research group by R. In 1977, you published "The Tuning of the World", how does this book fit into your work at Simon Frasier University? Soundscape: Our Environment and The Tuning of the World.





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